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Medieval Money, Merchants, and Morality charts the economic revolution that took place at the end of the Middle Ages and the early Renaissance.

Designing a set for the theater stage presents a unique challenge: How does the artist visually transport live performers into the fictional world of the performance?

Conceived in two parts, this double-gallery exhibition explores the origins of Tarot in Renaissance Italy and its ongoing relevance as a source of inspiration for artists in the twentieth and twenty-first centuries.

The 2022 Morgan Book Project exhibition of illuminated manuscripts made by New York City students in grades 3–12 features the annual selection of 12 judges’ picks and the singular Director’s Choice.

In 1777, the great Italian draftsman, etcher and antiquarian Giovanni Battista Piranesi visited the haunting and majestic archaeological site of Paestum on the Gulf of Salerno south of Naples and produced a series of monumental drawings. Preserved at Sir John Soane’s Museum in London, the drawings have only recently been restored and will be shown in the United States for the first time.

Three major sculptures by renowned abstract artist Ellsworth Kelly are now on view as part of the Morgan's summer sculpture program in the Gilbert Court.

Explore the highlights of the Morgan’s campus and collection. Discover stories about secret stairways and hidden bookshelves. The tour is approximately 40 minutes long and takes you through the entire campus, including a visit to the exterior of the 1906 library building, visible from 36th Street. Listen

Commemorating the two hundredth anniversary of Frankenstein—a classic of world literature and a masterpiece of horror—a new exhibition at the Morgan shows how Mary Shelley created a monster.

Featuring more than eighty works drawn almost exclusively from the Morgan's exceptional collection of Italian drawings, Rome After Raphael illuminates artistic production in Rome from the Renaissance to the beginning of the Baroque—from approximately 1500 to 1600.