Seal 714, which shows far more modeling than any of the other seals in this group [704-723], presents the unusual action of a worshiper grasping the pole of a gate such as appears in Louvre A. 678. The upper part of the gate bears the motif of a hero between two ibexes. This serves to date the seal late in the eighth or in the seventh century, since the motif of a hero between symmetrical animals prevailed from the time of Sargon II onward... A modern duplication of this seal, in the Archaeological Museum, Florence, has been published by L.J. Delaporte (Arethusa, IV [1927], pl. viii, no. 26)."--Porada, CANES, p. 86-87
Gate(?) indicated by two poles--each topped with small globe over large drilling--with joining crossbar, below latter trident and crook, above it two kneeling ibexes held by hero on one knee; pole at right grasped by worshiper.