Rembrandt Harmenszoon van Rijn
Etching and drypoint on paper.
211 x 161 mm
NHD 284, IV
Naudet, Paris (ca. 1800); Robert Stayner Holford (1808-1892), London and Westonbirt, Gloucester; Otto Gerstenberg (1848-1935), Berlin; purchased from Harlow & Co., 1922.
Stampfle, Felice et al. Rembrandt, experimental etcher. Boston : Museum of Fine Arts, 1969, no. 85.
Watermark: Foolscap with seven points ove three balls, [Heawood 2004, Churchill 346].
Matthew 27:60, Mark 15:46-47, Luke 23:53 and John 19:41-42.
A somber impression with heavy plate tone in which wiping illuminates not only certain figures in the group around Christ's body, but also a portion of the wall behind them. The body of Christ is shadowed by plate tone. (Boston 1969, no. 85)
Further diagonal shading added to the projecting block.