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William Hogarth
1697-1764
Masquerades and Operas
February 1723-1724
Etching and engraving.
5 x 6 1/16 inches (127 x 154 mm)
Gift of Martin W. Hutner in honor of his brother Joseph L. Hutner.
2008.6
Notes
In this print Hogarth has satirized the current state of British theater. The rage for Italian theater and pantomime had temporarily displaced the works of Shakespeare, Congreve and Dryden among others. Hogarth shows Londoners rushing to a display of conjurers, pantomimes, midnight masquerades and Italian Opera. It is interesting to note that Lord Burlington's newly erected house in the Palladian style stands as the representation of false taste. The site is now the chief entrance to the Royal Academy of Arts. This is a first state of the print and the only version of this subject executed by the artist.
Provenance
Martin W. Hutner.
Associated names
Hogarth, William, 1697-1764, designer.
Hutner, Martin W., former owner.
Hutner, Martin W., former owner.
Bibliography
Frederick George Stephens, Catalogue of Political and Personal Satires Preserved in the Department of Prints and Drawings in the British Museum, vol II: 1689-1733. London 1873, no. 1741, N 163:1, D229:3.<br>Ronald Paulson, Hogarth's Graphic Works, New Haven and London, 1965, no. 34, plate 37.
Artist
Classification
Department
Century prints
School
Catalog link