Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.

Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.

Letter from George Eliot, Griff, to Martha Jackson Barclay, 1838 September [i.e. October] 9 : autograph manuscript signed.

BIB_ID
424270
Accession number
MA 14251.1
Creator
Eliot, George, 1819-1880, sender.
Display Date
Griff, England, 1838 October 9.
Credit line
Bequest of Gordon N. Ray, 1987.
Description
1 item (4 pages) ; 23 x 18.8 cm
Notes
Letter dated "Tuesday Evening. Sep. 9th"; however, the postmark of October 10, 1838, the fact that October 9th fell on a Tuesday in 1838 (whereas September 9th did not), and Eliot's reference to the recent changing of the servants at Michaelmas (traditionally observed on September 29), combine to suggest that the actual month of writing was October rather than September, the latter probably being written by Eliot in error.
Postmarked with remains of seal, address panel reads: Miss Jackson / Gobious / near Hertford / Herts.
Postmark reads: Coventry Oc 10 1838.
Letter signed "Mary Ann Evans."
One of a collection of 13 letters from George Eliot to her friend and former schoolfellow, Martha Jackson (Barclay) (see MA 14251.1-13).
Provenance
Bequest of Gordon N. Ray, 1987.
Summary
Discussing her current circumstances as housekeeper in her father's home at Griff; declining an invitation to visit, citing her domestic duties, which have been particularly demanding of late owing to the recent changing of servants; mentioning a recent visit with friends in Coventry and visits received from the "Miss Grills" who came to see her in Griff; mentioning her attendance of an Oratorio at St. Michael's Church in the company of Miss Rebecca Franklin "where we heard [John] Braham, [Henry] Phillips, Mrs. [Mary] Shaw and Mrs. [Deborah] Knyvett, and where, I think, I said farewell to all such expenditures of time and money" and further reflecting on the spiritual frivolity of such performances: "I think nothing can justify the using of an intensely interesting and solemn passage of Scripture, as a rope-dancer uses her rope, or a sculptor the pedestal on which he places the statue, that is alone intended to elicit admiration. ... I ask myself can it be desirable, and would it be consistent with millennial holiness for a human being to devote the time and energies that are barely sufficient for real exigencies on acquiring expertness in trills, cadences, etc.?"; discussing her recipient's and her own "variableness of mind & affection" which she concludes "is suited to humble and distress us, but may also quicken us for an increased ardour of exertion during our wakeful hours", and describing a process whereby "availing ourselves of passive impressions" may prepare one for an active spiritual existence "in a steadier conformity of will and action to the commands of God."; the letter resumes following Eliot's closing signature with a passage expressing her feelings of friendship towards her recipient and apologizing for the hasty nature of her letter.