BIB_ID
103369
Accession number
MA 23294
Creator
Heaton, Ellen, 1816-1894.
Display Date
Leeds, England, 1878 March 11.
Credit line
Purchased by Pierpont Morgan, 1908.
Description
1 item (4 pages) ; 17.8 x 11.4 cm
Notes
Acquired as part of a large collection of letters addressed to William Angus Knight, Chair of Moral Philosophy at the University of St. Andrews and Wordsworth scholar. Items in the collection have been individually accessioned and cataloged.
Written from "6. Woodhouse Square / Leeds."
The portrait in chalk of Elizabeth Barrett Browning was done by Field Talfourd in 1859 and donated by Ellen Heaton to the National Portrait Gallery in 1871.
Written from "6. Woodhouse Square / Leeds."
The portrait in chalk of Elizabeth Barrett Browning was done by Field Talfourd in 1859 and donated by Ellen Heaton to the National Portrait Gallery in 1871.
Provenance
Purchased by Pierpont Morgan from William Angus Knight, 1908.
Summary
Sending him a photograph of a portrait of Elizabeth Barrett Browning which Heaton had commissioned and then donated to the National Portrait Gallery; saying "Will you accept a Photograph form the original Portrait for which Mrs. Browning sat, for me - I hope from your admiration for her, that you will like to have it - The Number - 600 - on the label, refers to the Catalogue of the Third National Portrait Exhibition. Mr. Browning was asked by the Council for the best Portrait of his late Wife - & replied that the only good one was that in my possession. On an application being made to me, by the Council, I consented to lend it - Not long afterwards, I presented it to the National Portrait Gallery - The Trustees of it accepted the Portrait gratefully and unanimously, within the ten years of the decease of the original, - which is the customary limit of their acceptance of a Portrait. - It is not a perfect representation - yet, the best - It gives, I think, the impression of a somewhat larger head, than hers, - the mouth is certainly too thick, - or rather the lips are not formed with sufficient delicacy - but in the photo. a shadow from the curve of the lip is mixed with the lip itself - The grand form of the forehead could not be fairly shown, unless the long curls were completely swept aside - When it was exhibited, I was asked by the authorities at S. Kensington to allow it to be photographed; I hope it may interest those who revere her."
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