Drawings and Prints

• Infant Christ and the Baptist

  Domenico Campagnola

  approximately 1500-1564

  2009.79

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  Drawings and Prints

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• Infant Mary Queen of Scots with nurse and her mother and a bowing courtier

  Image not available

  [England : s.n., n.d.]

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• Inferno, Canti XXI-XXII. The Circle of the Swindlers: A Devil Carrying an Old Man from Lucca; Dante Hides while Virgil Talks with the Devils; Devil Throws Old Man into the Pit of Tar; Virgil and Dante Speak with the Devils; Virgil and Dante Meet Ciampolo da Navarre, Fra Gomita, and Don Michel Zanche of Logodoro. Dante Hides while Virgil Talks with the Devils. At top, a town

  Attributed to Alessandro Vellutello

  early 16th century

  1966.12:8

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  Drawings and Prints

  • Read more about Inferno, Canti XXI-XXII. The Circle of the Swindlers: A Devil Carrying an Old Man from Lucca; Dante Hides while Virgil Talks with the Devils; Devil Throws Old Man into the Pit of Tar; Virgil and Dante Speak with the Devils; Virgil and Dante Meet Ciampolo da Navarre, Fra Gomita, and Don Michel Zanche of Logodoro. Dante Hides while Virgil Talks with the Devils. At top, a town

  

• Inferno, Canti XXVI-XXVII. Circle of the False Counselors: Virgil and Dante Proceed Towards the Middle of the Circle, Where the False Counselors are Enveloped in Flames; They Meet Ulysses and Diomedes Enveloped by a Bifurcated Flame; They Meet Count Guido da Montefeltro

  Attributed to Alessandro Vellutello

  1966.12:9

  Classification

  Drawing

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  • Read more about Inferno, Canti XXVI-XXVII. Circle of the False Counselors: Virgil and Dante Proceed Towards the Middle of the Circle, Where the False Counselors are Enveloped in Flames; They Meet Ulysses and Diomedes Enveloped by a Bifurcated Flame; They Meet Count Guido da Montefeltro

  

• Inferno, Canto I (Antinferno). Empty Path through Volcanic Landscape with Five Smoking Holes; Sea and Mountains in Background and Starry Sky Above

  Attributed to Alessandro Vellutello

  early 16th century

  1966.12:2

  Classification

  Drawing

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  Drawings and Prints

  • Read more about Inferno, Canto I (Antinferno). Empty Path through Volcanic Landscape with Five Smoking Holes; Sea and Mountains in Background and Starry Sky Above

  

• Inferno, Canto I (Antinferno). Three Pairs of Minute Figures on a Road Passing Through a Rocky Landscape, With Steam Coming Out of a Hole in the Ground at Left, Rough Sea in the Background and Stars above at Right

  Attributed to Alessandro Vellutello

  early 16th century

  1966.12:1

  Classification

  Drawing

  Department

  Drawings and Prints

  • Read more about Inferno, Canto I (Antinferno). Three Pairs of Minute Figures on a Road Passing Through a Rocky Landscape, With Steam Coming Out of a Hole in the Ground at Left, Rough Sea in the Background and Stars above at Right

  

• Inferno, Canto I (Antinferno). Virgil and Dante on the Path through Rocky Landscape, Close to a Crevasse and Smoking Hole

  Attributed to Alessandro Vellutello

  early 16th century

  1966.12:3

  Classification

  Drawing

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  • Read more about Inferno, Canto I (Antinferno). Virgil and Dante on the Path through Rocky Landscape, Close to a Crevasse and Smoking Hole

  

• Inferno, Canto III. Charon Portrayed Shipping the Damned through the Acheron, Seen as a Circular Lake with the Entrance to the First Circle in the Middle. Dante and Virgil Looking at the Damned Who Are Being Attacked by Hornets and Wasps; Pointing to the Entrance; Approaching the Ferry; Speaking to Charon; Boarding the Ferry; and on the Ferry. At top a town?

  Attributed to Alessandro Vellutello

  early 16th century

  1966.12:4

  Classification

  Drawing

  Department

  Drawings and Prints

  • Read more about Inferno, Canto III. Charon Portrayed Shipping the Damned through the Acheron, Seen as a Circular Lake with the Entrance to the First Circle in the Middle. Dante and Virgil Looking at the Damned Who Are Being Attacked by Hornets and Wasps; Pointing to the Entrance; Approaching the Ferry; Speaking to Charon; Boarding the Ferry; and on the Ferry. At top a town?

  

• Inferno, Canto XI - XII. Virgil and Dante, at Upper Left, Before the Tomb of Pope Anastasius; Their Meeting with the Minotaur; Their Descent to the Phlegethon (River of Boiling Blood); Their Meeting with the Centaurs, Who Guard the Damned and Punish Them with Arrows; Chiron Gives Them as a Guide the Centaur Nessus; Dante and Virgil Are Carried by Nessus and Together They Cross the Phlegethon Where the Tyrants are Immmersed in Blood According To The Degree of Their Guilt; Virgil, Dante and Nessus Reach the Middle. At top, a town. Verso: Bell or Hat?

  Attributed to Alessandro Vellutello

  early 16th century

  1966.12:5

  Classification

  Drawing

  Department

  Drawings and Prints

  • Read more about Inferno, Canto XI - XII. Virgil and Dante, at Upper Left, Before the Tomb of Pope Anastasius; Their Meeting with the Minotaur; Their Descent to the Phlegethon (River of Boiling Blood); Their Meeting with the Centaurs, Who Guard the Damned and Punish Them with Arrows; Chiron Gives Them as a Guide the Centaur Nessus; Dante and Virgil Are Carried by Nessus and Together They Cross the Phlegethon Where the Tyrants are Immmersed in Blood According To The Degree of Their Guilt; Virgil, Dante and Nessus Reach the Middle. At top, a town. Verso: Bell or Hat?

  

• Inferno, Canto XIII. Virgil and Dante in the Forest of Those of Who Have Committed Suicide. They Meet Piero delle Vigne, Lano da Siena, and Giacomo da Sant' Andrea Chased by Dogs. Six Harpies in the Forest. At top, a town

  Attributed to Alessandro Vellutello

  early 16th century

  1966.12:6

  Classification

  Drawing

  Department

  Drawings and Prints

  • Read more about Inferno, Canto XIII. Virgil and Dante in the Forest of Those of Who Have Committed Suicide. They Meet Piero delle Vigne, Lano da Siena, and Giacomo da Sant' Andrea Chased by Dogs. Six Harpies in the Forest. At top, a town