Past Exhibitions

October 27 through December 29, 2002

The Walters Art Museum made the Middle Ages come alive for visitors with The Book of Kings: Art, War, and the Morgan Library's Medieval Picture Bible. The Picture Bible—one of the greatest illuminated manuscripts produced in France during the thirteenth century—was disbound for conservation and study, offering visitors a once-in-a-lifetime opportunity to view twenty-six of the book's pages in a single exhibition.

Image of Morgan Picture Bible page
June 25 through September 8, 2002

The market for children's books was an eighteenth-century innovation. By the last half of the nineteenth century, it was a major publishing enterprise. Efforts to educate greater portions of the populace and a growing middle class had fostered a larger reading public. Advancing technology had changed the appearance and availability of books. New illustrative and binding processes were often tested on books for children, giving them a glamour that dust jackets must provide today.

June 6 through September 8, 2002

David to Cézanne: Nineteenth-Century French Drawings was the Morgan's first large-scale exhibition of French nineteenth-century drawings from its holdings.

Image of Degas drawing
June 11 through September 1, 2002

Drawing on the Morgan Library's important collection of children's literature and a recently acquired collection of musical juvenilia, A Child's Garland of Songs: Music for and by Children comprised music manuscripts, printed songbooks, and pictures of young musicians.

February 14 through May 19, 2002

Examining the role of Pierre Matisse in promoting the work of twentieth-century artists in North America, The Morgan Library & Museum presented Pierre Matisse and His Artists. Pierre Matisse, the younger son of the French artist Henri Matisse and his wife Amélie, earned his own place in the art world as one of the most important dealers of modern and contemporary art.

September 14, 2001, through January 13, 2002

The brilliant and celebrated writer, dramatist, aesthete, wit, and self-proclaimed "lord of language" was the focus of Oscar Wilde: A Life in Six Acts, originally organized by the British Library. Wilde's (1854–1900) rise to success as a literary and social figure was meteoric. His decline to notoriety and disgrace was equally dramatic. Twelve years after publishing his first work of fiction, in 1888, he was dead at the age of forty-six, buried in a pauper's grave on the outskirts of Paris.

Banner image
May 23 through August 19, 2001

Over 120 extraordinary drawings from this superb collection of over two thousand European and American sheets were on view. The selection encompassed all drawing and watercolor media, including ink, chalk, charcoal, crayon, and graphite.

Battista image
January 25 through May 6, 2001

Drawing upon the Morgan's collection of Poyer manuscripts, the exhibition also included choice loans of drawings and manuscripts from this country and abroad.

Image of Poyet manuscript detail
September 28, 2000, through January 7, 2001

Drawn from the Morgan's Ruskin collections, among the world's most comprehensive, the exhibition explored his sweeping impact through drawings, sketchbooks, manuscripts, books, pamphlets, and other objects.

Image of Ruskin
May 25 through September 10, 2000

More than two hundred dazzling and finely crafted objects of metal, stone, wood, and other prized materials characterize the art of Treasures from the Royal Tombs of Ur, a traveling exhibition that explored one of the greatest technological achievements of Near Eastern archaeology.

Image of Great Lyre