Search

Gail Levin

Sheelagh Bevan, our Andrew W. Mellon Associate Curator of Printed Books and Bindings, discusses Blaise Cendrars, born Frédéric Louis Sauser, a catalyst in some of the explosive artistic innovations of the early twentieth century.

The Morgan will be seen in a new light! An important part of our project to restore the 1906 McKim, Mead, & White-designed library and improve the site surrounding it is a lighting design by New York City-based lighting designer Linnaea Tillett.

The Morgan Library & Museum is one of the largest and richest depositories of Rembrandt’s drawings in North America, encompassing works from every stage of his long career.

It’s not just a façade! The façade of our J. Pierpont Morgan Library building uses a complex ancient Greek building technique that enables the stone to have no visible mortar. The architects, McKim, Mead & White, adapted this technique to account for the variable climate in New York city.

Hendrick Goltzius was one of the greatest Dutch printmakers and draftsmen of the sixteenth century. Our Annette and Oscar de la Renta Assistant Curator of Drawings and Prints Austeja Mackelaite describes his work in detail.

Moralized Bible, France, Paris, c. 1227–34, 37.5 x 26.2 cm, MS M.240, fols. 7v and 8r (The Morgan Library & Museum)

The restoration project of our McKim, Mead & White building is moving along with the guidance and careful eye of the architectural conservators from Integrated Conservation Resources, Inc. (ICR).

We are getting a new roof over our heads! For the first time in the McKim, Mead, & White building’s 112-year history we are undergoing a complete roof replacement with a team of experts.

Join Dr. Francesca Cappelletti, esteemed Caravaggio scholar, Director of the Borghese Gallery, and co-curator of Caravaggio 2025 at Palazzo Barberini in Rome, for a lecture in connection with the Morgan’s current exhibition, Caravaggio’s “Boy with a Basket of Fruit” in Focus.