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The Morgan is the only institution in the world to possess three copies of the Gutenberg Bible, the first substantial book printed from movable type in the West.

The symposium is devoted to the drawings of the artist Giovanni Battista Piranesi (1720–1778) and takes place in conjunction with the exhibition Sublime Ideas: Drawings by Giovanni Battista Piranesi on view at the Morgan f

American-born Liliane Lijn is a pioneering and visionary artist, whose richly varied contributions to contemporary art span more than six decades.

The film, An Illuminated Haggadah for the 21st Century was produced to accompany the Rose Haggadah manuscript and to document the process and craft involved in its creation.

Examining drawings from across Piranesi's career, John Marciari, Charles W. Engelhard Curator, will explore the distinctive aspects of Piranesi's graphic style and the use and reuse of drawings in his busy workshop.

The Nationalmuseum, Sweden’s largest and most distinguished art institution, is partnering with the Morgan to bring more than seventy-five masterpieces from its collections to New York for a rare visit.

Hendrick Goltzius was one of the greatest Dutch printmakers and draftsmen of the sixteenth century. Our Annette and Oscar de la Renta Assistant Curator of Drawings and Prints Austeja Mackelaite describes his work in detail.

Take a closer look at this 1000 year old Spanish illumination with Josh O’Driscoll, Assistant Curator of Medieval and Renaissance Manuscripts as he shares the incredible story.

Gail Levin

It is generally acknowledged that Boucher’s Triumph of Venus, painted in the summer of 1740 for Count Carl Gustaf Tessin, is the artist’s greatest mythological painting.