Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
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OngoingSol LeWitt's Wall Drawing 552D, generously donated to the Morgan by the Estate of Sol LeWitt, will be installed in the Morgan's Gilbert Court this summer.
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February 10 through May 30, 2021Édouard Vuillard: Sketches and Studies
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June 3 through October 2, 2022One Hundred Years of James Joyce’s “Ulysses” explores Joyce’s trajectory from lyric poet to modernist genius.
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May 26 through September 24, 2023Blaise Cendrars, born Frédéric Louis Sauser, was a catalyst in some of the explosive artistic innovations of the early twentieth century.
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September 30, 2016 through January 2, 2017This exhibition celebrates the two-hundredth anniversary of Brontë’s birth in 1816, and marks an historic collaboration between the Morgan and the Brontë Parsonage Museum, in Haworth, England.
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May 13 through September 14, 2025This previously unknown waltz, written in Chopin’s hand and very likely composed by him, is the first newly identified work by the Polish composer since the 1930s.
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February 12 through May 4, 2003Picturing Natural History: Flora and Fauna in Drawings, Manuscripts, and Printed Books was The Morgan Library & Museum's first exhibition devoted to natural history illustration. It was also the Morgan's last before closing to the public for an extensive renovation and expansion program. The institution reopened to the public in spring 2006.
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October 25, 2024 through May 4, 2025To mark the 2024 centenary of its life as a public institution, the Morgan Library & Museum will present a major exhibition devoted to the life and career of its inaugural director, Belle da Costa Greene (1879–1950).
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January 29 through April 17, 2016The exhibition explores the challenging creation of Wagner’s epic, and the staging of its 1876 premiere in Bayreuth and its 1889 American debut at the Metropolitan Opera House in New York.
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March 23 through June 17, 2007In this exhibition, the Book of Revelation, in all of its complexity, was seen through the eyes of some of the greatest medieval illuminators.