Search

This fall, the Morgan will devote two galleries to an extraordinary exhibition of rarely-seen master drawings from the Staatliche Graphische Sammlung, Munich, one of the foremost collections in Europe.

The temporary installation of three sculptures by Mark di Suvero in the Gilbert Court was prompted by the friendship and mutual admiration between di Suvero and Renzo Piano, the architect who designed the court.

The plays of Tennessee Williams (1911–1983) are intimate, confessional, and autobiographical. They are touchstones not only of American theatrical history but American literary history as well.

From Rembrandt to van Gogh: Dutch Drawings from the Morgan presented highlights from the Morgan's outstanding collection of Dutch drawings from the seventeenth through nineteenth centuries.

In 1902 American financier Pierpont Morgan (1837–1913) chose architect Charles Follen McKim (1847–1909) of the prominent firm McKim, Mead and White to design a library to house his growing collection of rare books and manuscripts.

Seeds of Knowledge highlights the collection of 15th to 17th-century European printed herbals of Dr. Peter Goop (Liechtenstein). Herbals were highly illustrated, critical texts to doctors and lay healthcare providers that included both the folkloric and medicinal uses of plants.

Conceived in two parts, this double-gallery exhibition explores the origins of Tarot in Renaissance Italy and its ongoing relevance as a source of inspiration for artists in the twentieth and twenty-first centuries.

The drawings assembled by Clement C. (Chips) Moore constitute one of the preeminent collections of Dutch drawings in private hands.

To eighteenth- and nineteenth-century European artists, the ephemeral qualities of weather and light were as integral to their landscape paintings as the terrain itself.

Édouard Vuillard: Sketches and Studies