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A master orator and writer, Churchill's use of spoken and written words will be explored in this exhibition that covers more than a half century of his life.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of building collections in four curatorial departments, comprising illuminated manuscripts from the medieval and renaissance eras, five hundred years of printed books, correspondence and literary manuscripts, as well as printed music and autograph manuscripts by composers.

The Morgan Library & Museum presents a special exhibition of an extremely rare Renaissance illuminated manuscript, the Prayer Book of Queen Claude de France, created around the time of her coronation in 1517.

This exhibition celebrates the remarkable collection of drawings assembled by the collecting couple Richard Gray, one of America’s foremost art dealers, and art historian Mary L. Gray.

The satirical scenes of the celebrated English artist William Hogarth (1697–1764) are iconic representations of eighteenth-century urban life at a time of great socio-economic disparity.

Eighteenth- and nineteenth-century landscape artists often sketched outdoors in oil paint on paper to capture nature from direct observation. Yet as natural as these scenes look, the vantages were chosen or augmented to draw the viewer into the composition.

Surveying the finest Northern European drawings in the Morgan's collections, this exhibition featured over one hundred works spanning the Gothic through the Flemish Baroque periods.

In this exhibition, the Book of Revelation, in all of its complexity, was seen through the eyes of some of the greatest medieval illuminators.

The Morgan holds the original manuscript and art for one of the world’s most widely read and cherished books, Antoine de Saint-Exupéry’s The Little Prince (1943).

In the century since its founding as a public institution, the Morgan’s collections have grown dramatically, deepening the core assembled by J. Pierpont Morgan and his librarian, Belle da Costa Greene, who became the first Director of the institution.