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One of the most comprehensive repositories of photography on the continent, the collection at the National Gallery of Canada turns fifty in 2019.

Drawing Connections explores the correspondences between contemporary and old master drawings.

In 2021, the Morgan acquired twenty-eight drawings by American artist George Condo (b. 1957) that offer an overview of his career over the last forty-five years. Drawing, or “visual thinking” as he calls it, is central to Condo’s practice, which centers around the figure.

Over thirty old master drawings by French, Italian, and Northern artists of the seventeenth through nineteenth centuries are featured in this exhibition, with a particular concentration of works by eighteenth-century French draftsmen.

In Uncommon Denominator, Nina Katchadourian (American, born 1968) stages a conversation among works from throughout her career, artifacts of her family’s history, and objects drawn from every corner of the Morgan’s vaults.

This exhibition features the greatest works on paper by the artists in the Morgan's collection, as well as a few key loans from local collections.

The exhibition explores Whitman’s process of self-invention, from his early years as a journalist, through the early 1850s when Whitman began to write more privately and poetically, to his final years.

Drawing on the Morgan's superb collection of illuminated manuscripts, this major exhibition, the first of its kind in North America, will explore the complex social role of monsters in the Middle Ages.

One of the most important contemporary American sculptors, Martin Puryear (b. 1941) has also made drawings throughout his career.

One camera, one viewfinder: photography is often understood as a solitary practice. Throughout the medium’s history, however, artists have challenged the notion of one-person authorship.