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An extraordinary collection of forty-three early-twentieth-century German and Austrian drawings by some of the leaders of the German expressionist movement and the Vienna Secession was on view in From Berlin to Broadway.

Highlights from this season's selection include a mid-fifteenth-century English cooking scroll; autograph music manuscripts by Wagner, Verdi, and Britten; the first book printed in the English language; letters from Jane Austen and Albert Einstein; and photographer Edward Steichen's famous portrait of Pierpont Morgan.

David to Cézanne: Nineteenth-Century French Drawings was the Morgan's first large-scale exhibition of French nineteenth-century drawings from its holdings.

This exhibition brings together nearly one hundred outstanding works from the collection, including first editions, manuscripts, letters, and revised galley proofs.

Reuniting the score and designs from Philip Glass and Robert Wilson's Einstein on the Beach, this exhibition focuses on the opera's premiere performances in 1976.

Fragonard and the French Tradition celebrated the artist's brilliant accomplishments as a draftsman in the context of the prevailing currents of eighteenth-century French art.

Through the generosity of private donors, the Morgan acquired an exceptionally fine impression of the engraving Adam and Eve by the German master Albrecht Dürer (1471–1528).

This exhibition marks the first presentation of Spanish drawings at the Morgan and showcases over twenty sheets from the museum's pre-eminent master drawings collection.

By the early nineteenth century, artists throughout Europe had grown increasingly interested in depicting the weather.

During the second half of the eighteenth century, the practice of using oil paint on paper while working outdoors became popular among landscape artists.