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The Morgan celebrates the recently-completed Saint John's Bible, created using traditional illumination techniques.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of the collections in four curatorial departments, comprising illuminated manuscripts from the medieval and Renaissance eras, five hundred years of printed books, literary manuscripts and correspondence, as well as printed music and autograph manuscripts by composers.

Seen Together showcases over forty previously unexhibited works acquired by the Morgan’s Department of Photography since its founding in 2012.

The Morgan celebrates the 100th year of its founding with a series of exhibitions devoted to promised gifts to the museum, including twenty-eight drawings from the holdings of New York–based collectors Elizabeth and Jean-Marie Eveillard.

While J. Pierpont Morgan’s private collection of illuminated manuscripts focused on Christian Europe, he also purchased non-Western items

This fall, the Morgan will display a selection of exceptional documents from the Gilder Lehrman Institute of American History, one of the country's foremost archives of Americana.

Rococo and Revolution: Eighteenth-Century French Drawings features more than eighty exceptional drawings almost exclusively from the Morgan's renowned holdings.

“I longed to arrest all beauty that came before me, and at length the longing has been satisfied.” —Julia Margaret Cameron

In an unprecedented collaboration, the Mozarteum Foundation of Salzburg and the Morgan Library & Museum have partnered to tell the story of the life and career of Wolfgang Amadeus Mozart.

A modern art pioneer, renowned Swiss painter Ferdinand Hodler (1853–1918) created works that range from vast symbolist compositions to intimate, realist portraits and nearly abstract landscape paintings.