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American artist Spencer Finch (b. 1962) will unveil a new, site-specific, large-scale installation at the Morgan inspired by its great collection of medieval Books of Hours.

Active in New York in the 1980s and 1990s as a sculptor and draftsman, Al Taylor (1948–1999) found inspiration for his lyrical and witty compositions in banal objects and everyday situations.

Hans Holbein the Younger (1497/98–1543) was among the most skilled, versatile and inventive artists of the early 1500s.

Over one hundred masterpieces from Sir Paul Getty's renowned collection were on view at the Morgan

Founding Figures brings together ten outstanding works, including ancient cylinder seals, from several public and private collections such as the Metropolitan Museum of Art and the Babylonian Collection of Yale University.

Rocks and Mountains is the fourth exhibition in a series drawn from the collection of oil sketches acquired by Morgan Trustee Eugene V. Thaw and his wife, Clare.

The Thaw Collection is an exhibition of works that have been acquired by Eugene V. and Clare E. Thaw since 1994. In the decades since the early 1950s, when they obtained their first drawing, a figure study by Giambattista Tiepolo, they have assembled one of the finest collections of drawings and watercolors in private hands. On the occasion of the first exhibition of their drawings at The Morgan Library & Museum in 1975, the Thaws announced their intention to eventually present the collection to the institution.

Henry James and American Painting is the first exhibition to explore the author’s deep and lasting interest in the visual arts and their profound impact on the literature he produced.

The exhibition Drawing Babar returns visitors to the two essential moments of Babar's creation: when Jean de Brunhoff and, years later, his son Laurent, set down their initial thoughts on paper.

The Bible is a cornerstone of religion, art, and literature in the western world. Few books can demonstrate the power of the printed word as vividly as scripture—a bedrock of faith, an object of veneration, a formative influence on language and culture.