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Every holiday season, the Morgan displays Charles Dickens's original manuscript of A Christmas Carol in J. Pierpont Morgan's Library.

Combining diverse artworks from across the Morgan’s collections and some exceptional loans, Come Together: 3,000 Years of Stories and Storytelling explores how stories shape our world.

This exhibition features over 90 drawings by many of the preeminent artists of Holland's Golden Age.

This exhibition celebrates the gift of forty-eight pastel drawings to the Morgan’s collection from the artist and his dealer Arne Glimcher.

The Bible is a cornerstone of religion, art, and literature in the western world. Few books can demonstrate the power of the printed word as vividly as scripture—a bedrock of faith, an object of veneration, a formative influence on language and culture.

The exhibition Far and Away: Drawings from the Clement C. Moore Collection, on view upstairs, celebrates the promised gift of works to the Morgan from one of the preeminent private collections of Dutch drawings in America.

The French refer to the seventeenth century as the Grand Siècle, or the Great Century. Under the rule of Louis XIII and Louis XIV, the period saw a dramatic increase in French political and military power, the maturation of French courtly life at Versailles, and an unparalleled flourishing of the arts.

Completed around 1470 in Bruges, Hans Memling's Triptych of Jan Crabbe was dismembered in the 18th century and has never before been reconstructed for an American audience.

American artist Walton Ford (b. 1960) established his reputation in the 1990s with his monumental watercolor paintings of wild animals inspired by true or legendary stories of dramatic encounters between humankind and nature.

The idea of cutting up a medieval manuscript is almost unthinkable today. Historically, however, this practice was relatively common, and it reached a fever pitch in the late nineteenth and early twentieth centuries.