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The exhibition Drawing Babar returns visitors to the two essential moments of Babar's creation: when Jean de Brunhoff and, years later, his son Laurent, set down their initial thoughts on paper.

While exploring the volumes in her parents’ library, Karen Bassine Cohen discovered a passion for the nineteenth century.

Palladio and His Legacy: A Transatlantic Journey features thirty-one original Palladio drawings from the Royal Institute of British Architects.

Masterworks from the Morgan presented more than three hundred masterworks drawn from all six of the Morgan's collection areas, including new acquisitions and works that have never been seen or have not been exhibited for many years.

This exhibition isbased on The Enterprise of Opera - Verdi, Boito, Ricordi created by Bertelsmann/Ricordi and curated by Gabriele Dotto.

This previously unknown waltz, written in Chopin’s hand and very likely composed by him, is the first newly identified work by the Polish composer since the 1930s.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of the collections in four curatorial departments, comprising illuminated manuscripts from the medieval and Renaissance eras, five hundred years of printed books, literary manuscripts and correspondence, as well as printed music and autograph manuscripts by composers.

Illuminating the Medieval Hunt features nearly fifty miniatures from the Morgan's celebrated hunting manuscript by Gaston Phoebus (1331–1391), Le Livre de la chasse (Paris, ca. 1407).

In the Morgan's first exhibition devoted to Blake in two decades, former director Charles Ryskamp and curators Anna Lou Ashby and Cara Denison have assembled many of Blake's most spectacular watercolors, prints, and illuminated books of poetry to dramatically underscore his genius and enduring influence.