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The Book of Kings: Art, War, and the Morgan Library's Medieval Picture Bible used medieval works from the Morgan and The Walters Art Museum, Baltimore, to explore ways in which Christian, Muslim, and Jewish cultures used storytelling to define themselves and their values. The Picture Bible—one of the greatest illuminated manuscripts produced in thirteenth-century France—was disbound for conservation and study, offering visitors a once-in-a-lifetime opportunity to view twenty-six of the book's pages in a single exhibition.

In this exhibition, the Book of Revelation, in all of its complexity, was seen through the eyes of some of the greatest medieval illuminators.

With approximately eighty oil sketches on paper, this exhibition will reveal a private side of Albers's work.

The exhibition offers startling illuminations—recent gifts to the Morgan—created by this contemporary artist.

The Morgan is delighted to present visitors with a unique opportunity to see, for the first time in New York, Leonardo da Vinci's extraordinary Codex on the Flight of Birds, and one of his most celebrated drawings, Head of a Young Woman, together with a selection of other works on paper.

Sol LeWitt's Wall Drawing 552D, generously donated to the Morgan by the Estate of Sol LeWitt, will be installed in the Morgan's Gilbert Court this summer.

The exhibition features approximately sixty rare and exceptional objects from diverse disciplines that serve as points of departure for exploring some of the fundamental meanings of genius.

At the end of the 1520s, at the time of the siege that brought to an end the last Florentine Republic (1529–1530), the painter Jacopo da Pontormo, (1494–1557) created one of his most moving and groundbreaking paintings, the altarpiece of the Visitation.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of building collections in four curatorial departments, comprising illuminated manuscripts from the medieval and renaissance eras, five hundred years of printed books, correspondence and literary manuscripts, as well as printed music and autograph manuscripts by composers.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of building collections in four curatorial departments.