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With the exception of small displays in cafés and bookshops in the 1950s and ‘60s, this exhibition of sixty drawings, two accordion-fold sketchbooks, and five printed works, is the first time Barton’s art is being seen by the public.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of building collections in four curatorial departments.

Charles Dickens at 200 celebrates the bicentennial of the great writer's birth in 1812 with manuscripts of his novels and stories, letters, books, photographs, original illustrations, and caricatures.

Approximately 100 manuscripts, letters, rare printed documents, objects, maps, and published writings—drawn primarily from the collections of the Morgan; the Gilder Lehrman Collection, on deposit at the Morgan; and the Huntington Library—were included.

The Morgan Library & Museum celebrates the gift of more than 130 drawings and photographs from the collection of Karen B. Cohen with the exhibition Into the Woods: Naturalism, Landscape, and Labor.

While exploring the volumes in her parents’ library, Karen Bassine Cohen discovered a passion for the nineteenth century.

The Hours of Catherine of Cleves is the most important and lavish of all Dutch manuscripts as well as one of the most beautiful among the Morgan's collection.

The Morgan Library & Museum presents a special exhibition of an extremely rare Renaissance illuminated manuscript, the Prayer Book of Queen Claude de France, created around the time of her coronation in 1517.

This exhibition presents seventeen exceptional drawings and three letters by Jean-Auguste-Dominique Ingres (1780–1867), one of the greatest draftsman and portraitists in French history.

This exhibition showcases Cy Twombly's monumental painting Treatise on the Veil (Second Version), executed in Rome in 1970, and its related drawings, all from the Menil Collection in Houston.