Videos

“Cospetto! Che bella cosa!” My what a beautiful thing: Boucher’s Triumph of Venus in the Nationalmuseum, Stockholm

Colin B. Bailey, Director of the Morgan Library & Museum, traces Boucher’s process in the elaboration of his masterpiece, examines the tradition of marine mythologies from Raphael to Poussin and beyond, and considers some of the textual and pictorial sources which may have inspired the painter. Presented on Wednesday, March 1, 2017.

I’m Nobody! Who are you? The Life and Poetry of Emily Dickinson

Watch PBS Newshour feature "Finding Emily Dickinson in the power of her poetry".

Armenian Treasures at the Morgan Library & Museum

Learn about the Armenian silversmiths of Kayseri who created beautiful silver covers for Armenian manuscripts. Three of these covers are in the collection of the Morgan Library & Museum in New York.

Treasures from the Nationalmuseum of Sweden: The Collections of Count Tessin

The Nationalmuseum, Sweden’s largest and most distinguished art institution, is partnering with the Morgan to bring more than seventy-five masterpieces from its collections to New York for a rare visit.

A Christmas Carol at The Morgan

NYC-ARTS takes a closer look at A Christmas Carol by Charles Dickens. Guided by Declan Kiely, curator of Literary & Historical Manuscripts at the Morgan Library & Museum, we are encouraged to reconsider the true meaning of Dickens’s work.

Martin Luther and Anti-Semitism

A panel featuring Mark R. Silk, Trinity College, Hartford; Dean P. Bell, Spertus Institute, Chicago; and Martin Hauger, High Consistory of the Evangelical Church in Germany, discuss Martin Luther’s changing opinion on Jews as well as the impact of the Reformation on Christian-Jewish relations in the 16th century. Sunday, November 13, 2016.

Lincoln Speaks

Lincoln Speaks, a 15-minute film, was originally produced to accompany the exhibition, Lincoln Speaks: Words That Transformed a Nation, and features contemporary writers and scholars discussing the power of Lincoln’s language and his enduring legacy in American political life.

Charlotte Brontë: An Independent Will

Curator Christine Nelson discusses the exhibition Charlotte Brontë: An Independent Will, on view September 9, 2016 through January 2, 2017.

Chamber Orchestra of New York: Respighi & Mozart's Jupiter

The Chamber Orchestra of New York with Music Director Salvatore Di Vittorio perform a musical program inspired by works in the exhibition City of the Soul: Rome and the Romantics. Held Thursday, June 23, 2016.

William Barcham: Tiepolo's Chariot of the Sun in the Palazzo Clerici, Milan: Drawings and Pictorial Intervention

The Second Annual Thaw Lecture: William Barcham, Tiepolo's Chariot of the Sun in the Palazzo Clerici, Milan: Drawings and Pictorial Intervention, May 26, 2016.

Rembrandt’s First Masterpiece

Curator  John Marciari discusses the exhibition Rembrandt's First Masterpiece, on view through September 18, 2016.

Renzo Piano in conversation with Colin B. Bailey

The Morgan Library & Museum marked ten years since the completion of its acclaimed, Renzo Piano-designed expansion project in April 2006.

Welcome and opening remarks from Colin B. Bailey, Director, The Morgan Library & Museum, and John Marciari, Charles W. Englehard Curator and Head of the Department of Drawings and Prints, The Morgan Library & Museum

Welcome and opening remarks from Colin B. Bailey, Director, The Morgan Library & Museum, and John Marciari, Charles W. Englehard Curator and Head of the Department of Drawings and Prints, The Morgan Library & Museum. This video introduces a series of lectures from the symposium A Demand for Drawings: Five Centuries of Collecting co-presented by the Center for the History of Collecting at The Frick Collection and The Drawing Institute at The Morgan Library on Friday and Saturday, March 4–5, 2016.

Hugo Chapman: “Parallels, Patterns, and Reversals: The British Museum as a Template for Collecting Old Master Drawings”

Hugo Chapman, The Simon Sainsbury Keeper of Prints and Drawings, British Museum, London, presents his keynote address Parallels, Patterns and Reversals: The British Museum as a Template for Collecting Old Master Drawings on Friday, March 4, 2016.

Evelyn Karet: Collecting Old Master Drawings in Northern Renaissance Italy before Vasari: Motivations and Patterns…

Evelyn Karet, Independent Scholar and former Visiting Scholar, Department of Visual and Performing Arts, Clark University, Boston, presents her lecture Collecting Old Master Drawings in Northern Renaissance Italy before Vasari: Motivations and Patterns of Collecting on Friday, March 4, 2016.

Diana Dethloff: Peter Lely: Collecting in Seventeenth–Century England

Diana Dethloff, Academic Administrator and Lecturer in Seventeenth-Century British Art, Department of History of Art, University College, London, delivers her lecture Peter Lely: Collecting in Seventeenth–Century England on Friday, March 4, 2016.

Kristel Smentek: Pierre-Jean Mariette: The Collector as Historian

Kristel Smentek, Associate Professor of Art History, Massachusetts Institute of Technology, Cambridge, delivers her lecture Pierre-Jean Mariette: The Collector as Historian on Friday, March 4, 2016.

Welcome and Opening Remarks, Ian Wardropper and Inge Reist at The Frick Collection

Ian Wardropper, Director, The Frick Collection and Inge Reist, Director, Center for the History of Collecting, Frick Art Reference Library deliver welcoming remarks on Saturday, March 5, 2016 for the symposium A Demand for Drawings: Five Centuries of Collecting.

Andrew Morrogh: Niccolò Gaddi and Giorgio Vasari

Andrew Morrogh, Associate Professor of Art History Emeritus, University of Oregon, Eugene, delivers his lecture Niccolò Gaddi and Giorgio Vasari on Saturday, March 5, 2016.

Michiel Plomp: Rembrandt and His Time

Michiel Plomp, Chief Curator of Art Collections, Teylers Museum, Haarlem, delivers his lecture Rembrandt and His Time on Saturday, March 5, 2016.

Carel van Tuyll: Queen Christina of Sweden’s Collection of Drawings

Carel van Tuyll, former Director of the Département des Arts graphiques, Musée du Louvre, Paris, delivers his lecture Queen Christina of Sweden’s Collection of Drawings on Saturday, March 5, 2016.

Charles Noble: The Early Dukes of Devonshire: Collectors of Drawings, 1680–1755

Charles Noble, Curator of Collections, Devonshire Collection, Chatsworth, delivers his lecture The Early Dukes of Devonshire: Collectors of Drawings, 1680–1755 on Saturday, March 5, 2016.

Jennifer Tonkovich: I still spent much more than I had planned: Buying Drawings at Jullienne’s 1767 Sale

Jennifer Wright delivers a lecture written by Jennifer Tonkovich, Eugene and Clare Thaw Curator of Drawings and Prints, The Morgan Library & Museum on Saturday, March 5, 2016.

Ann Percy: An Acquiring Mind: John S. Philips, a Nineteenth-Century Philadelphia Print Collector’s Taste for Drawings

Ann Percy, The Mainwaring Curator of Drawings, Philadelphia Museum of Art, delivers her lecture An Acquiring Mind: John S. Phillips, a Nineteenth-Century Philadelphia Print Collector’s Taste for Drawings on Saturday, March 5, 2016.

Ger Luijten: Frits Lugt: Building a Collection

Ger Luijten, Director, Fondation Custodia, Collection Frits Lugt, Paris, delivers his lecture Frits Lugt: Building a Collection on Saturday, March 5, 2016.

John Marciari: Janos Scholz and His Era

John Marciari, Charles W. Engelhard Curator and Head of the Department of Drawings and Prints, The Morgan Library & Museum delivers his lecture Janos Scholz and His Era on Saturday, March 5, 2016.

Philippe de Montebello interviews George Goldner

Philippe de Montebello, Director Emeritus of The Metropolitan Museum of Art, New York, interviews George Goldner, former Curator of Paintings and Drawings, J. Paul Getty Museum, Los Angeles, and former Chairman of the Department of Drawings and Prints, The Metropolitan Museum of Art on Saturday, March 5, 2016.

Sight Reading: Photography and the Legible World

Curator Joel Smith discusses the exhibition Sight Reading: Photography and the Legible World, on view February 19 through May 30, 2016.

Mark Hallett: The Nomadic Eye: Traveling through Thomas Gainsborough's Landscapes

In this illustrated lecture (held on December 9, 2015) Professor Mark Hallett, Director of Studies at The Paul Mellon Centre for Studies in British Art, takes us on a tour of Gainsborough’s pastoral views and suggests how we might best understand and appreciate the pictorial world that the artist created in and through his landscapes.

Video: Pierre-Jean Mariette and Splitting Drawings

To gain a better understanding of how Mariette split his drawings, the Morgan’s Thaw Conservation Center attempted to separate a replica of an old master drawing with studies on both sides.