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Medieval Money, Merchants, and Morality charts the economic revolution that took place at the end of the Middle Ages and the early Renaissance.

Peter Hujar: Speed of Life—on view at the Morgan from January 26 through May 20—presents one hundred and forty photographs by this enormously important and influential artist.

A master orator and writer, Churchill's use of spoken and written words will be explored in this exhibition that covers more than a half century of his life.

Three major sculptures by renowned abstract artist Ellsworth Kelly are now on view as part of the Morgan's summer sculpture program in the Gilbert Court.

This installation features a selection of oil sketches which, despite their small size, achieve such grand effect, creating the impression that the viewer is granted direct access to the artist’s entire field of vision.

The idea of cutting up a medieval manuscript is almost unthinkable today. Historically, however, this practice was relatively common, and it reached a fever pitch in the late nineteenth and early twentieth centuries.

Commemorating the two hundredth anniversary of Frankenstein—a classic of world literature and a masterpiece of horror—a new exhibition at the Morgan shows how Mary Shelley created a monster.

This exhibition celebrates the remarkable collection of drawings assembled by the collecting couple Richard Gray, one of America’s foremost art dealers, and art historian Mary L. Gray.

Featuring more than eighty works drawn almost exclusively from the Morgan's exceptional collection of Italian drawings, Rome After Raphael illuminates artistic production in Rome from the Renaissance to the beginning of the Baroque—from approximately 1500 to 1600.