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A master orator and writer, Churchill's use of spoken and written words will be explored in this exhibition that covers more than a half century of his life.

One camera, one viewfinder: photography is often understood as a solitary practice. Throughout the medium’s history, however, artists have challenged the notion of one-person authorship.

Medieval Money, Merchants, and Morality charts the economic revolution that took place at the end of the Middle Ages and the early Renaissance.

Best known for his luscious paintings of pies and ice-cream cones, California artist Wayne Thiebaud (born 1920) has been an avid and prolific draftsman since he began his career as an illustrator and cartoonist.

To eighteenth- and nineteenth-century European artists, the ephemeral qualities of weather and light were as integral to their landscape paintings as the terrain itself.

This exhibition celebrates the Morgan's Man Booker Prize Collection—the largest American collection devoted to the prize, acquired in 2010.

The Book of Kings: Art, War, and the Morgan Library's Medieval Picture Bible used medieval works from the Morgan and The Walters Art Museum, Baltimore, to explore ways in which Christian, Muslim, and Jewish cultures used storytelling to define themselves and their values. The Picture Bible—one of the greatest illuminated manuscripts produced in thirteenth-century France—was disbound for conservation and study, offering visitors a once-in-a-lifetime opportunity to view twenty-six of the book's pages in a single exhibition.

To mark the seventy-fifth anniversary of the publication of Antoine de Saint-Exupéry’s classic story The Little Prince, the Morgan presents five newly discovered drawings by the author as well as intimate memorabilia from his time in New York during the 1940s.

The Morgan Library & Museum celebrates the gift of more than 130 drawings and photographs from the collection of Karen B. Cohen with the exhibition Into the Woods: Naturalism, Landscape, and Labor.