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Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of the collections in four curatorial departments.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of the collections in four curatorial departments, comprising illuminated manuscripts from the medieval and renaissance eras, five hundred years of printed books, literary manuscripts and correspondence, as well as printed music and autograph manuscripts by composers.

Picturing Natural History: Flora and Fauna in Drawings, Manuscripts, and Printed Books was The Morgan Library & Museum's first exhibition devoted to natural history illustration. It was also the Morgan's last before closing to the public for an extensive renovation and expansion program. The institution reopened to the public in spring 2006.

This exhibition brings together, for the first time, a remarkable group of drawings, etchings, and paintings to highlight the often overlooked but formative presence of migrants, immigrants, exiles, and refugees in Rembrandt’s world and work.

This exhibition presents Mesopotamian sculptural works from ca. 3300-2250 B.C., bringing together for the first time pieces from the Metropolitan Museum of Art, the Yale University Babylonian Collection, the Kimbell Art Museum, and the University of Pennsylvania Museum of Archaeology and Anthropology.

The satirical scenes of the celebrated English artist William Hogarth (1697–1764) are iconic representations of eighteenth-century urban life at a time of great socio-economic disparity.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of the collections in four curatorial departments, comprising illuminated manuscripts from the medieval and renaissance eras, five hundred years of printed books, correspondence and literary manuscripts, as well as printed music and autograph manuscripts by composers.

The Walters Art Museum made the Middle Ages come alive for visitors with The Book of Kings: Art, War, and the Morgan Library's Medieval Picture Bible. The Picture Bible—one of the greatest illuminated manuscripts produced in France during the thirteenth century—was disbound for conservation and study, offering visitors a once-in-a-lifetime opportunity to view twenty-six of the book's pages in a single exhibition.

This first retrospective of his drawings will include over one hundred sheets representing every phase of his career.

This exhibition explores an extraordinary partnership, as documented in director James Ivory’s annotated film scripts, editing notebooks, and correspondence