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As a tribute to J. D. Salinger (1919–2010), who died January 27, The Morgan Library & Museum presents a pair of exhibitions, the first beginning March 16, of ten letters by the author.

With over seventy items on view, the exhibition raises questions about this pervasive practice: what is a diary?

In 1777, the great Italian draftsman, etcher and antiquarian Giovanni Battista Piranesi visited the haunting and majestic archaeological site of Paestum on the Gulf of Salerno south of Naples and produced a series of monumental drawings. Preserved at Sir John Soane’s Museum in London, the drawings have only recently been restored and will be shown in the United States for the first time.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of building collections in four curatorial departments, comprising illuminated manuscripts from the medieval and renaissance eras, five hundred years of printed books, correspondence and literary manuscripts, as well as printed music and autograph manuscripts by composers.

In the Morgan's first exhibition devoted to Blake in two decades, former director Charles Ryskamp and curators Anna Lou Ashby and Cara Denison have assembled many of Blake's most spectacular watercolors, prints, and illuminated books of poetry to dramatically underscore his genius and enduring influence.

The Morgan Library & Museum presents the first retrospective of drawings by Philip Guston (1913–1980) in twenty years.

The art and craft of the woodcut was a source of inspiration for a small, influential group of European and American artists whose work helped shape the modern book in the decades immediately preceding and following the turn of the twentieth century.

The exhibition celebrates this most common form of documentation by presenting an array of lists made by a broad range of artists, from Pablo Picasso and Alexander Calder to H. L. Mencken, Eero Saarinen, Elaine de Kooning, and Lee Krasner.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of the collections in four curatorial departments, comprising illuminated manuscripts from the medieval and renaissance eras, five hundred years of printed books, correspondence and literary manuscripts, as well as printed music and autograph manuscripts by composers.

This show is the first-ever museum exhibition devoted to Matthew Barney's drawings and includes approximately 100 works.