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The Morgan presents this exhibition on the occasion of an important loan from the Walters Art Museum in Baltimore: Rosso Fiorentino's Holy Family with the Young Saint John the Baptist.

Trees is the third exhibition in a series drawn from the collection of oil sketches acquired by Morgan Trustee Eugene V. Thaw.

One of the most popular and enigmatic American writers of the nineteenth century, Emily Dickinson (1830–1886) wrote almost 1,800 poems.

This exhibition presents seventeen exceptional drawings and three letters by Jean-Auguste-Dominique Ingres (1780–1867), one of the greatest draftsman and portraitists in French history.

Drawn entirely from the museum's holdings, Tiepolo, Guardi, and Their World features a selection of more than one hundred works on paper and chronicles the vitality and originality of drawing during Venice's second Golden Age.

British artist Bridget Riley (b. 1931) is one of the most celebrated abstract painters of her generation. This exhibition—the first dedicated exclusively to her drawings in over fifty years—provides an intimate view of Riley's studio practice, in which the making of works on paper plays a central role.

To mark the 2024 centenary of its life as a public institution, the Morgan Library & Museum will present a major exhibition devoted to the life and career of its inaugural director, Belle da Costa Greene (1879–1950).

In the Morgan's first exhibition devoted to Blake in two decades, former director Charles Ryskamp and curators Anna Lou Ashby and Cara Denison have assembled many of Blake's most spectacular watercolors, prints, and illuminated books of poetry to dramatically underscore his genius and enduring influence.

Nearly twenty years ago, the Morgan decided to expand its collection of drawings and prints into the modern era.

In this exhibition, the Book of Revelation, in all of its complexity, was seen through the eyes of some of the greatest medieval illuminators.