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Rocks and Mountains is the fourth exhibition in a series drawn from the collection of oil sketches acquired by Morgan Trustee Eugene V. Thaw and his wife, Clare.

A master orator and writer, Churchill's use of spoken and written words will be explored in this exhibition that covers more than a half century of his life.

On view were more than eighty sheets by French, British, Italian, Dutch, Flemish, and German draftsmen from the sixteenth through the early twentieth centuries.

Palladio and His Legacy: A Transatlantic Journey features thirty-one original Palladio drawings from the Royal Institute of British Architects.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of building collections in four curatorial departments, comprising illuminated manuscripts from the medieval and renaissance eras, five hundred years of printed books, correspondence and literary manuscripts, as well as printed music and autograph manuscripts by composers.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of the collections in four curatorial departments, comprising illuminated manuscripts from the medieval and Renaissance eras, five hundred years of printed books, literary manuscripts and correspondence, as well as printed music and autograph manuscripts by composers.

This exhibition celebrates the two-hundredth anniversary of Brontë’s birth in 1816, and marks an historic collaboration between the Morgan and the Brontë Parsonage Museum, in Haworth, England.

The Morgan’s collection of autograph manuscripts by Beethoven will be on display as part of Beethoven 250.

Commemorating the two hundredth anniversary of Frankenstein—a classic of world literature and a masterpiece of horror—a new exhibition at the Morgan shows how Mary Shelley created a monster.

The Living Word is a poetic evocation of the relationship between the written word and its meaning.