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On view were more than eighty sheets by French, British, Italian, Dutch, Flemish, and German draftsmen from the sixteenth through the early twentieth centuries.

Bringing together more than 160 works on paper by such iconic artists as Salvador Dalí, Max Ernst, Leonora Carrington, and Joan Miró, this is the first major exhibition to explore the central role of drawing in surrealism, one of the most important movements in twentieth-century art.

Through the generosity of private donors, the Morgan acquired an exceptionally fine impression of the engraving Adam and Eve by the German master Albrecht Dürer (1471–1528).

Illusions of the Photographer combines a full career retrospective—the first on Michals to be organized by a New York City museum—with an artist’s-choice show, as Michals plumbs the Morgan’s vaults for treasures both revered and long-forgotten.

This New Yorker bouquet is drawn from the extraordinary collection of over 1300 drawings for the magazine assembled by Melvin R. Seiden.

Young, handsome, and highborn, Claude III de Laubespine lived in luxury after marrying an heiress and obtaining the favor of King Charles IX.

Drawn entirely from the museum's holdings, Tiepolo, Guardi, and Their World features a selection of more than one hundred works on paper and chronicles the vitality and originality of drawing during Venice's second Golden Age.

This exhibition comprised nearly sixty lavish single leaves, dating from the twelfth to the sixteenth centuries.

Close Encounters showcases a group of sixty-seven portraits of notable subjects by Irving Penn (b. 1917), acquired by The Morgan Library & Museum in 2007.

David to Cézanne: Nineteenth-Century French Drawings was the Morgan's first large-scale exhibition of French nineteenth-century drawings from its holdings.