Search

Drawn from the Morgan's Ruskin collections, among the world's most comprehensive, the exhibition explored his sweeping impact through drawings, sketchbooks, manuscripts, books, pamphlets, and other objects.

Surveying the finest Northern European drawings in the Morgan's collections, this exhibition featured over one hundred works spanning the Gothic through the Flemish Baroque periods.

John Milton's Paradise Lost celebrates the 400th anniversary of the birth of John Milton (1608–1674) with an exhibition drawn from the Morgan's collection of the English poet's work, which includes the only surviving manuscript of Paradise Lost.

On view were more than eighty sheets by French, British, Italian, Dutch, Flemish, and German draftsmen from the sixteenth through the early twentieth centuries.

Bringing together more than 160 works on paper by such iconic artists as Salvador Dalí, Max Ernst, Leonora Carrington, and Joan Miró, this is the first major exhibition to explore the central role of drawing in surrealism, one of the most important movements in twentieth-century art.

Through the generosity of private donors, the Morgan acquired an exceptionally fine impression of the engraving Adam and Eve by the German master Albrecht Dürer (1471–1528).

Illusions of the Photographer combines a full career retrospective—the first on Michals to be organized by a New York City museum—with an artist’s-choice show, as Michals plumbs the Morgan’s vaults for treasures both revered and long-forgotten.

This New Yorker bouquet is drawn from the extraordinary collection of over 1300 drawings for the magazine assembled by Melvin R. Seiden.

Young, handsome, and highborn, Claude III de Laubespine lived in luxury after marrying an heiress and obtaining the favor of King Charles IX.

Drawn entirely from the museum's holdings, Tiepolo, Guardi, and Their World features a selection of more than one hundred works on paper and chronicles the vitality and originality of drawing during Venice's second Golden Age.