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The plays of Tennessee Williams (1911–1983) are intimate, confessional, and autobiographical. They are touchstones not only of American theatrical history but American literary history as well.

With the exception of small displays in cafés and bookshops in the 1950s and ‘60s, this exhibition of sixty drawings, two accordion-fold sketchbooks, and five printed works, is the first time Barton’s art is being seen by the public.

This exhibition marks the first presentation of Spanish drawings at the Morgan and showcases over twenty sheets from the museum's pre-eminent master drawings collection.

Fragonard and the French Tradition celebrated the artist's brilliant accomplishments as a draftsman in the context of the prevailing currents of eighteenth-century French art.

The exhibition will feature nearly one hundred items, drawn primarily from the Morgan's holdings and The Henry W. and Albert A. Berg Collection of English and American Literature at The New York Public Library, two of the most important collections of Poe material in the United States.

Drawn from the Morgan's Ruskin collections, among the world's most comprehensive, the exhibition explored his sweeping impact through drawings, sketchbooks, manuscripts, books, pamphlets, and other objects.

Throughout his long life and career, the artist Ashley Bryan created and illustrated children’s books that celebrated Black life and Black creativity.

With over seventy drawings, prints, and paintings, including an exceptional contingent from the Louvre, Claude Gillot: Satire in the Age of Reason explores the artist’s inventive and highly original draftsmanship and places his work in the context of the artistic and intellectual activity in Paris at the dawn of a new century.

More than two hundred dazzling and finely crafted objects of metal, stone, wood, and other prized materials characterize the art of Treasures from the Royal Tombs of Ur, a traveling exhibition that explored one of the greatest technological achievements of Near Eastern archaeology.

Hans Holbein the Younger (1497/98–1543) was among the most skilled, versatile and inventive artists of the early 1500s.