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Celebrating the art of the cartoonist, On the Money: Cartoons for The New Yorker features approximately eighty original drawings by some of The New Yorker's most talented and beloved artists who have tackled the theme of money and the many ways in which it defines us.

Palladio and His Legacy: A Transatlantic Journey features thirty-one original Palladio drawings from the Royal Institute of British Architects.

This fall, the Morgan will devote two galleries to an extraordinary exhibition of rarely-seen master drawings from the Staatliche Graphische Sammlung, Munich, one of the foremost collections in Europe.

The oil sketches displayed here engage with a range of Sublime effects, from the impressive vastness of a mountain range and the thrill of rushing water to the terror of a raging storm.

In the 1950s the young, provocative writers now known as the Beat Generation emerged onto the American literary scene. Heavily inspired by European Surrealism and the jazz culture of Black America, the Beats were experimental and politically dissident in both their lifestyles and written work.

The Morgan’s impressive collection of Italian Drawings documents the development of Renaissance drawing practice from its beginnings in the fourteenth century and over the following two centuries.

One of the earliest original manuscripts of Magna Carta dating to 1217 is on view at the Morgan through May 30.

The Morgan is delighted to present visitors with a unique opportunity to see, for the first time in New York, Leonardo da Vinci's extraordinary Codex on the Flight of Birds, and one of his most celebrated drawings, Head of a Young Woman, together with a selection of other works on paper.

This exhibition brings together nearly one hundred outstanding works from the collection, including first editions, manuscripts, letters, and revised galley proofs.