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One of the most original and influential artists of the past three decades, Lisa Yuskavage (American b. 1962) creates works that affirm the integrity of her media (painting, drawing and printmaking) while challenging conventional art historical precedents.

Robert Owen Lehman’s extraordinary collection of music manuscripts has been an inspiration to scholars and visitors since it was placed on deposit at the Morgan Library & Museum.

One of the Morgan's core strengths is its collection of historically and artistically significant bookbindings.

The Morgan’s impressive collection of Italian Drawings documents the development of Renaissance drawing practice from its beginnings in the fourteenth century and over the following two centuries.

Treasures from the Vault, an ongoing exhibition series, features works drawn from these diverse collections in the sumptuous setting of J. Pierpont Morgan’s Library.

With over seventy items on view, the exhibition raises questions about this pervasive practice: what is a diary?

With the exception of small displays in cafés and bookshops in the 1950s and ‘60s, this exhibition of sixty drawings, two accordion-fold sketchbooks, and five printed works, is the first time Barton’s art is being seen by the public.

In this exhibition, the Book of Revelation, in all of its complexity, was seen through the eyes of some of the greatest medieval illuminators.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of building collections in four curatorial departments, comprising illuminated manuscripts from the medieval and renaissance eras, five hundred years of printed books, correspondence and literary manuscripts, as well as printed music and autograph manuscripts by composers.

In 2021, the Morgan acquired twenty-eight drawings by American artist George Condo (b. 1957) that offer an overview of his career over the last forty-five years. Drawing, or “visual thinking” as he calls it, is central to Condo’s practice, which centers around the figure.