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The spectacular Crusader Bible is one of the greatest illuminated manuscripts in the world, renowned as much for its unrivalled and boldly colored illustrations as it is for its fascinating history.

The exhibition will include nearly 150 objects drawn primarily from the artist’s bequest to the Morgan of over 900 drawings.

David Hockney (b. 1937) is one of the most internationally respected and renowned artists alive today.

As part of the Bicentenary celebrations of the Royal Philharmonic Society, the Morgan will display two historic copyist scores of Beethoven's Ninth Symphony, marking the first time they have been brought together since their creation in 1824.

The exhibition brings together for the first time Degas's remarkable painting, on loan from the National Gallery, London, and nearly all of the related preparatory works.

Drawing on the Morgan Library's important collection of children's literature and a recently acquired collection of musical juvenilia, A Child's Garland of Songs: Music for and by Children comprised music manuscripts, printed songbooks, and pictures of young musicians.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of building collections in four curatorial departments, comprising illuminated manuscripts from the medieval and renaissance eras, five hundred years of printed books, correspondence and literary manuscripts, as well as printed music and autograph manuscripts by composers.

The Morgan Library & Museum celebrated the 250th anniversary of the birth of Wolfgang Amadeus Mozart (1756–1791) with an exhibition that traces Mozart's brief life through manuscripts, letters, and first editions of his works.

As a part of the exhibition A Celebration: Acquisitions in Honor of the Morgan’s Centennial, on view through August 17, this selection highlights a group of drawings gifted to the museum by the artist Giuseppe Penone.

Featuring more than eighty works drawn almost exclusively from the Morgan's exceptional collection of Italian drawings, Rome After Raphael illuminates artistic production in Rome from the Renaissance to the beginning of the Baroque—from approximately 1500 to 1600.