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Charles Dickens at 200 celebrates the bicentennial of the great writer's birth in 1812 with manuscripts of his novels and stories, letters, books, photographs, original illustrations, and caricatures.

The exhibition will be the most extensive public display of original Tolkien material for several generations.

The Morgan celebrates the recently-completed Saint John's Bible, created using traditional illumination techniques.

This exhibition will include more than ninety drawings created between 1900 and 2013 by artists from Matisse, Mondrian, and Schiele to Pollock, Warhol, Lichtenstein, Twombly, and—more recently—Kippenberger and Dumas.

Celebrating the art of the cartoonist, On the Money: Cartoons for The New Yorker features approximately eighty original drawings by some of The New Yorker's most talented and beloved artists who have tackled the theme of money and the many ways in which it defines us.

The Morgan holds the original manuscript and art for one of the world’s most widely read and cherished books, Antoine de Saint-Exupéry’s The Little Prince (1943).

One of the most celebrated contemporary German artists, Georg Baselitz (b. 1938) gained international recognition in the 1960s for revitalizing figurative painting. This exhibition celebrates the gift from Baselitz to the Morgan of fifty drawings covering the span of his entire career.

British artist Bridget Riley (b. 1931) is one of the most celebrated abstract painters of her generation. This exhibition—the first dedicated exclusively to her drawings in over fifty years—provides an intimate view of Riley's studio practice, in which the making of works on paper plays a central role.

A widely connected pioneer of Pop and mail art, Ray Johnson (1927–1995) was described as “New York’s most famous unknown artist.”

This fall, the Morgan will display a selection of exceptional documents from the Gilder Lehrman Institute of American History, one of the country's foremost archives of Americana.