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Pierre-Jean Mariette (1694–1774) was one of the earliest and most important collectors of old master drawings and he played a pivotal role in shaping our modern conception of the old masters.

Commemorating the two hundredth anniversary of Frankenstein—a classic of world literature and a masterpiece of horror—a new exhibition at the Morgan shows how Mary Shelley created a monster.

Sol LeWitt's Wall Drawing 552D, generously donated to the Morgan by the Estate of Sol LeWitt, will be installed in the Morgan's Gilbert Court this summer.

Illuminating the Medieval Hunt features nearly fifty miniatures from the Morgan's celebrated hunting manuscript by Gaston Phoebus (1331–1391), Le Livre de la chasse (Paris, ca. 1407).

Held by a private collection, this magnificent painting will be shown in the United States for the very first time at the Morgan.

In the century since its founding as a public institution, the Morgan’s collections have grown dramatically, deepening the core assembled by J. Pierpont Morgan and his librarian, Belle da Costa Greene, who became the first Director of the institution.

Charles Dickens at 200 celebrates the bicentennial of the great writer's birth in 1812 with manuscripts of his novels and stories, letters, books, photographs, original illustrations, and caricatures.

In 2009 when the Shakespeare Birthplace Trust in Stratford-upon-Avon unveiled a previously unknown portrait painting with strong claims to be the only surviving life-time portrait of William Shakespeare, it created an international sensation.

This exhibition celebrates the Morgan’s 2018 acquisition of eleven drawings from the Souls Grown Deep Foundation, an organization dedicated to supporting Black Southern artists and their communities.

From Rembrandt to van Gogh: Dutch Drawings from the Morgan presented highlights from the Morgan's outstanding collection of Dutch drawings from the seventeenth through nineteenth centuries.