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Featuring more than eighty works drawn almost exclusively from the Morgan's exceptional collection of Italian drawings, Rome After Raphael illuminates artistic production in Rome from the Renaissance to the beginning of the Baroque—from approximately 1500 to 1600.

Guercino: Virtuoso Draftsman continues a series of exhibitions focused on highlights from the Morgan’s collection.

This exhibition marks the 150th anniversary of Dickens’s famous reading tour of the United States in 1867, and will thus examine his later career as a performer.

In the Morgan's first exhibition devoted to Blake in two decades, former director Charles Ryskamp and curators Anna Lou Ashby and Cara Denison have assembled many of Blake's most spectacular watercolors, prints, and illuminated books of poetry to dramatically underscore his genius and enduring influence.

“I longed to arrest all beauty that came before me, and at length the longing has been satisfied.” —Julia Margaret Cameron

This exhibition explores the ways in which Renoir used paper to test ideas, plan compositions, and interpret both landscape and the human figure.

In the spring of 2019 Jayne Wrightsman bequeathed to the Morgan an exceptional collection of books bound for the highest echelons of 18th-century French society.

One of the earliest original manuscripts of Magna Carta dating to 1217 is on view at the Morgan through May 30.

The Morgan expansion project is the subject of a special exhibition that begins with a historical survey of the site from the 1850s through today.