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Studying Nature: Oil Sketches from the Thaw Collection presents more than twenty works drawn from the collection of Eugene V. and Clare Thaw, which chronicles the history of the genre in the eighteenth and nineteenth centuries.

The Living Word is a poetic evocation of the relationship between the written word and its meaning.

With approximately eighty oil sketches on paper, this exhibition will reveal a private side of Albers's work.

As part of the Bicentenary celebrations of the Royal Philharmonic Society, the Morgan will display two historic copyist scores of Beethoven's Ninth Symphony, marking the first time they have been brought together since their creation in 1824.

Hans Holbein the Younger (1497/98–1543) was among the most skilled, versatile and inventive artists of the early 1500s.

The temporary installation of three sculptures by Mark di Suvero in the Gilbert Court was prompted by the friendship and mutual admiration between di Suvero and Renzo Piano, the architect who designed the court.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of the collections in four curatorial departments, comprising illuminated manuscripts from the medieval and renaissance eras, five hundred years of printed books, literary manuscripts and correspondence, as well as printed music and autograph manuscripts by composers.

Robert Owen Lehman’s extraordinary collection of music manuscripts has been an inspiration to scholars and visitors since it was placed on deposit at the Morgan Library & Museum.

The inaugural exhibition in a planned new series, the show's fourteen works highlight the innovative approaches employed by artists working in conditions that varied according to time of day, season, and weather conditions. The series will be drawn from the collection of oil sketches acquired by Morgan Trustee Eugene V. Thaw, who is also an honorary trustee of the Metropolitan Museum of Art, and his wife, Clare.

This exhibition celebrates the two-hundredth anniversary of Brontë’s birth in 1816, and marks an historic collaboration between the Morgan and the Brontë Parsonage Museum, in Haworth, England.