Search

The temporary installation of three sculptures by Mark di Suvero in the Gilbert Court was prompted by the friendship and mutual admiration between di Suvero and Renzo Piano, the architect who designed the court.

This exhibition isbased on The Enterprise of Opera - Verdi, Boito, Ricordi created by Bertelsmann/Ricordi and curated by Gabriele Dotto.

Featuring more than eighty works drawn almost exclusively from the Morgan's exceptional collection of Italian drawings, Rome After Raphael illuminates artistic production in Rome from the Renaissance to the beginning of the Baroque—from approximately 1500 to 1600.

Jim Dine: The Glyptotek Drawings explores Dine's meditation on the antique world.

Drawing upon the Morgan's collection of Poyer manuscripts, the exhibition also included choice loans of drawings and manuscripts from this country and abroad.

The Metropolitan Museum of Art had on display seven superb examples of medieval art from the Morgan Library. These objects were on view in the Tapestry Hall while the Morgan proceeded with its expansion project. The long-term loans include some of the favorite works of the noted financier and collector Pierpont Morgan (1837–1913), a past president of The Metropolitan Museum of Art.

For this spellbinding exhibition—the first exploration of his career at a New York museum—Gowin has combined favorites and rarities from five decades of work with objects drawn from throughout the collections of the Morgan.

In the century since its founding as a public institution, the Morgan’s collections have grown dramatically, deepening the core assembled by J. Pierpont Morgan and his librarian, Belle da Costa Greene, who became the first Director of the institution.

This exhibition examines the ways in which the artists, writers, and composers represented in the Morgan's collection used animals to think and create.

The Living Word is a poetic evocation of the relationship between the written word and its meaning.