Search

American artist Spencer Finch (b. 1962) will unveil a new, site-specific, large-scale installation at the Morgan inspired by its great collection of medieval Books of Hours.

Celebrating the art of the cartoonist, On the Money: Cartoons for The New Yorker features approximately eighty original drawings by some of The New Yorker's most talented and beloved artists who have tackled the theme of money and the many ways in which it defines us.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of the collections in four curatorial departments, comprising illuminated manuscripts from the medieval and renaissance eras, five hundred years of printed books, literary manuscripts and correspondence, as well as printed music and autograph manuscripts by composers.

One Hundred Years of James Joyce’s “Ulysses” explores Joyce’s trajectory from lyric poet to modernist genius.

This exhibition isbased on The Enterprise of Opera - Verdi, Boito, Ricordi created by Bertelsmann/Ricordi and curated by Gabriele Dotto.

Featuring more than eighty works drawn almost exclusively from the Morgan's exceptional collection of Italian drawings, Rome After Raphael illuminates artistic production in Rome from the Renaissance to the beginning of the Baroque—from approximately 1500 to 1600.

Jim Dine: The Glyptotek Drawings explores Dine's meditation on the antique world.

With the exception of small displays in cafés and bookshops in the 1950s and ‘60s, this exhibition of sixty drawings, two accordion-fold sketchbooks, and five printed works, is the first time Barton’s art is being seen by the public.

This exhibition showcases Cy Twombly's monumental painting Treatise on the Veil (Second Version), executed in Rome in 1970, and its related drawings, all from the Menil Collection in Houston.

Conceived in two parts, this double-gallery exhibition explores the origins of Tarot in Renaissance Italy and its ongoing relevance as a source of inspiration for artists in the twentieth and twenty-first centuries.