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To mark the seventy-fifth anniversary of the publication of Antoine de Saint-Exupéry’s classic story The Little Prince, the Morgan presents five newly discovered drawings by the author as well as intimate memorabilia from his time in New York during the 1940s.

The Morgan Library & Museum celebrated the 250th anniversary of the birth of Wolfgang Amadeus Mozart (1756–1791) with an exhibition that traces Mozart's brief life through manuscripts, letters, and first editions of his works.

As a part of the exhibition A Celebration: Acquisitions in Honor of the Morgan’s Centennial, on view through August 17, this selection highlights a group of drawings gifted to the museum by the artist Giuseppe Penone.

This exhibition, conceived in close consultation with the artist, looks at the relationship between Saar’s finished works and the preliminary annotated sketches she has made in small notebooks throughout her career.

Explore the highlights of the Morgan’s campus and collection. Discover stories about secret stairways and hidden bookshelves. The tour is approximately 40 minutes long and takes you through the entire campus, including a visit to the exterior of the 1906 library building, visible from 36th Street. Listen

Jim Dine: The Glyptotek Drawings explores Dine's meditation on the antique world.

While J. Pierpont Morgan’s private collection of illuminated manuscripts focused on Christian Europe, he also purchased non-Western items

This exhibition brings together, for the first time, a remarkable group of drawings, etchings, and paintings to highlight the often overlooked but formative presence of migrants, immigrants, exiles, and refugees in Rembrandt’s world and work.

On view are approximately forty items related to Puccini's career, including rarely seen original sketches for his acclaimed operas Madama Butterfly and La Bohème.

British artist Bridget Riley (b. 1931) is one of the most celebrated abstract painters of her generation. This exhibition—the first dedicated exclusively to her drawings in over fifty years—provides an intimate view of Riley's studio practice, in which the making of works on paper plays a central role.