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This exhibition examines the ways in which the artists, writers, and composers represented in the Morgan's collection used animals to think and create.

Illuminating the Medieval Hunt features nearly fifty miniatures from the Morgan's celebrated hunting manuscript by Gaston Phoebus (1331–1391), Le Livre de la chasse (Paris, ca. 1407).

Peter Hujar: Speed of Life—on view at the Morgan from January 26 through May 20—presents one hundred and forty photographs by this enormously important and influential artist.

The exhibition Drawing Babar returns visitors to the two essential moments of Babar's creation: when Jean de Brunhoff and, years later, his son Laurent, set down their initial thoughts on paper.

The Morgan expansion project is the subject of a special exhibition that begins with a historical survey of the site from the 1850s through today.

More than two hundred dazzling and finely crafted objects of metal, stone, wood, and other prized materials characterize the art of Treasures from the Royal Tombs of Ur, a traveling exhibition that explored one of the greatest technological achievements of Near Eastern archaeology.

Through nearly fifty manuscripts, first editions, letters, and related materials drawn almost entirely from the Morgan's collections, the exhibition Liszt in Paris: Enduring Encounters celebrates the art and the diverse and fertile artistic world of the virtuoso pianist-composer.

Medieval Money, Merchants, and Morality charts the economic revolution that took place at the end of the Middle Ages and the early Renaissance.

The French refer to the seventeenth century as the Grand Siècle, or the Great Century. Under the rule of Louis XIII and Louis XIV, the period saw a dramatic increase in French political and military power, the maturation of French courtly life at Versailles, and an unparalleled flourishing of the arts.