Untitled (Elvis with Bunny Ears)

Beginning in the 1950s, Johnson made artistic use of photographs of the twentieth-century cultural icon Elvis Presley (1935–1977). Johnson’s most emblematic motif, a stylized bunny face, first appeared beside the artist’s name in 1964. Bunny ears would serve both as a kind of trademark and as a way of turning anyone—Elvis, in this case—into a Ray Johnson character. The enlarged halftone dots that compose Elvis’s image confirm its status as a mass-market photographic reproduction.