A Gentleman and a Lady in a Dog Cart. Verso: Horse and Rider alongside a Carriage with Three Passengers

Toulouse-Lautrec took up drawing early. A Latin-French grammar book with over 350 marginal sketches was recently on the art market, revealing his quick and clever ability with the pen even as a sixteen-year-old about to sit for his baccalaureate degree. This period, around 1880, marked the start of his formal training with his uncle, Charles de Toulouse-Lautrec, and then the artist René Princeteau, a friend of his father's and a horse enthusiast. The world of horses, hunting, and country sports is also evident in the eleven pages from a sketchbook used by the young artist in the 1880s. Rabbits, deer, dogs, horses, and hunters feature prominently, along with a few carriages, and a sheet with a slight sketch of a circus monkey hints at his abiding interest in the world of performance. A study of a riding academy and a few more extensive sketches with urban settings suggest the artist used the sketchbook when he ventured to Paris in 1882 to study with Léon Bonnat and Fernand Cormon.
On the recto of this sketchbook page, a well-dressed man and woman ride a gig through an urban environment. A small dog leaps beside their horse. On the verso, a group of three men sitting in a carriage turn their heads to the left, in the direction of a man riding a horse beside them. The driver of their carriage faces forward.