Claude Lorrain

Download image: 
Claude Lorrain
1600-1682
David and the Three Heroes
1658
Pen and brown ink and wash, and yellow-brown wash, with white opaque watercolor over black chalk.
Sheet: 10 1/4 x 14 1/4 inches (255 x 361 mm); design area: 9 7/8 x 13 3/4 inches (248 x 347 mm)
Thaw Collection.
2017.157
Notes: 

Watermark: bird on three mounts in a circle.
TThis is one of Claude's largest and most finished figure drawings. It closely corresponds to the figures in a painting of 1658, commissioned by Prince Agostino Chigi, depicting a landscape with David at the Cave of Adullam (National Gallery, London). The close correspondence with the painting raises the question of whether Claude executed this as a preliminary study, or more likely, to record that work after the fact. The episode is recounted in the second Book of Samuel (23:13-17): three of David's mightiest warriors broke through enemy lines to fetch water that he particularly longed for from a well in Bethlehem. Upon their return, unable to bring himself to drink the water, since his men had risked their lives for it, David raises his arms in a gesture of refusal.
The album from which this sheet derives is traditionally considered to be from the collection of Queen Christina of Sweden (1629-89). At her death, Christina's drawings collection was inherited by Decio Azzolino (1623-89), who died two months after Christina. A group of drawings by Claude, now in the Teylers Museum, were then purchased by Don Livio Odescalchi. For works outside the Teylers Museum group, the provenance before Odescalchi cannot be confirmed and the first documented appearance of the album that contained the present sheet is in Odescalchi's 1713 inventory.

Inscription: 

Inscribed and signed on lower margin in pen and brown ink, "disigne faict del quadro de principe don Agustino / Cladio G. / I. V. F. Roma", and at lower right, "Davide al desert".

Provenance: 
Prince Don Livio Odescalchi (1652-1713), Rome (in an album listed in his 1713 inventory as “Altro libro in foglio coperto di carta pecora con ottant'uno disegni di Claudio Gellé Lorenese"); by descent to Donato Sanminiatelli (1929-1979) and Maria Odescalchi (b. 1930), Rome; album sold to Georges Wildenstein, Paris, 1960; acquired by Norton Simon, Pasadena, 1968, and dismembered and individual sheets sold 1978-80; private collection, England; Thos. Agnew & Sons Ltd., London; Eugene V. and Clare E. Thaw, New York.
Associated names: 

Christina, Queen of Sweden, 1626-1689 former owner.
Azzolini, Decio, Cardinal, former owner.
Odescalchi, Livio, Don, Duke of Bracciano, 1652-1713, former owner.
Odescalchi family, former owner.
Wildenstein, Georges, former owner.
Simon, Norton, 1907-1993, former owner.
Thaw, Eugene Victor, former owner.
Thaw, Clare, former owner.

Bibliography: 

The Morgan Library & Museum, New York, NY, "Drawn to Greatness: Master Drawings from the Thaw Collection", 2017. Exh. cat., no. 243, repr.
Denison, Cara D. et al. The Thaw Collection : Master Drawings and New Acquisitions. New York : Pierpont Morgan Library, 1994, no. 23.
Roethlisberger, Marcel. Claude Lorrain. The Drawings, 1968, no. 810.

Artist page: 
School: 
Century: 
Classification: 
Department: