Verso of mount: fragment of battle scene, in pen and brown ink, gray wash.
Formerly attributed to Lorenzo Monaco by Max Friedländer and Hans Tietze. Has been compared to a painting by Monaco in Bergamo.
Watermark: none.
Lorenzo, Monaco, 1370 or 1371-1425, Formerly attributed to.
Stoessel, Otto, former owner.
Scholz, János, former owner.
Selected references: Detroit 1960, 11, no. 2 (as Lorenzo Monaco); Oakland and Berkeley 1961, no. 51 (as Lorenzo Monaco); Baltimore 1962, 23, no. 23 (as Lorenzo Monaco); Hamburg and Cologne 1963-64, no. 97 (as Lorenzo Monaco); Los Angeles and elsewhere 1967-68, no. 37 (as Lorenzo Monaco); London and elsewhere 1968, no. 61 (as Lorenzo Monaco); New York 1971, no. 57 (as Lorenzo Monaco); Scholz 1976, no. 3 (as Lorenzo Monaco); Notre Dame 1980, 141, no. 130 (as Lorenzo Monaco); Fellows Report 1984, 278-79 (as Lorenzo Monaco); New York 2011 (as anonymous northern Italian artist).
Italienische Meisterzeichnungen vom 14. bis zum 18. Jahrhundert aus amerikanischem Besitz : Die Sammlung Janos Scholz, New York. Hamburg : H. Christians, 1963, no. 97, repr.
Tuscan and Venetian Drawings of the Quattrocento from the Collection of János Scholz. Los Angeles : Los Angeles County Museum of Art, 1967, no. 37, repr.
Italian Drawings from the Collection of János Scholz. London : Art Council Gallery, 1968, no. 61.
One Hundred Italian Drawings from the 14th to the 18th Centuries from the János Scholz Collection. New York : New School Art Center, 1971, no. 56.
Scholz, Janos. Italian Master Drawings, 1350-1800, from the János Scholz Collection. New York : Dover, 1976, no. 3, repr.
Scholz, Janos, and Dean A. Porter. János Scholz, Musician and Collector. Notre Dame : Snite Museum of Art, University of Notre Dame, 1980, no. 130, repr.
Ryskamp, Charles, ed. Twentieth Report to the Fellows of the Pierpont Morgan Library, 1981-1983. New York : Pierpont Morgan Library, 1984, p. 278-279.