The drawing appears to the design for, or copy of, a tomb placed against a wall. Pietro Paolo da Todi (1399?-1445), the artist to whom the drawing is assigned in the inscription, was credited by Vasari in one passage of the Vita of the sculptor Paolo Romano, with having worked on the tombs of Pius II and Pius III, both once in St. Peter's and now in Sant'Andrea della Valle in Rome, together with Niccolò della Guardia. This information is spurious, however, since Pietro Paolo da Todi died well before Pius II (1464) and was not a sculptor but a goldsmith.
Inscribed at lower left, in graphite, "24;" on mount, beneath drawing, at lower center in pen and brown ink, "Pietro Paolo da Todi Scult:" On verso of mount in pen and brown ink, Richardson pressmarks, "AA. 61 / FF.13. / d.;" at lower left, in graphite, "75."
Pietro Paolo da Todi, 1399?-1445, Formerly attributed to.
Richardson, Jonathan, 1665-1745, former owner.
Robinson, J. C. (John Charles), Sir, 1824-1913, former owner.
Murray, Charles Fairfax, 1849-1919, former owner.
Morgan, J. Pierpont (John Pierpont), 1837-1913, former owner.
Selected references: Fairfax Murray 1905-12, 4: no. 32, (as Lombard school); Columbus 1961, no. 74 (as Italian anonymous ca. 1510).
Collection J. Pierpont Morgan : Drawings by the Old Masters Formed by C. Fairfax Murray. London : Privately printed, 1905-1912, IV, 32.