Watermark: none.
The composition of this drawing was re-used for a much later altarpiece for the same subject in the chapel of the Montereale-Mantica family in the Cathedral at Pordenone, which Amalteo was working on around 1556.
Inscribed at lower right in pen and brown ink: "del amateo"; on verso, at lower center in black chalk: "Pomponio di Girolamo del Amalteo"; at lower left, "51" (encircled); beneath this, in graphite: "formerly in Cosway Colln"; beneath this, in pen and brown ink, by Esdaile, "1831 WE 10x 62."; at lower right in pen and brown ink, "Pomponio Amaltas Fresla (?)/ Disc.o Geniro(?) del Pordenone / con(?) il suo fratello Girola[mo?]".
Richardson, Jonathan, 1694-1771, former owner.
Cosway, Richard, 1740-1821, former owner.
Esdaile, William, 1758-1837, former owner.
Thane, Thomas, 1782-1846, former owner.
Robinson, J. C. (John Charles), Sir, 1824-1913
Murray, Charles Fairfax, 1849-1919, former owner.
Morgan, J. Pierpont (John Pierpont), 1837-1913, former owner.
Tietze and Tietze-Conrat 1944, 1: 35, no. 23; 2: pl. XCV, no. 1; Popham and Wilde 1950, 301, no. 745; New York 1965-66, 62, no. 99; Cohen 1973, 253-54, figs. 9 and 10; Menomonie 1973-74; Cohen 1975, 54-56, figs. 35 and 37; Furlan 1975, 16-17, fig. 17 (recto); Furlan 1976, 246; Pordenone 1980, 74, fig. 3 (verso); Cohen 1980, 36, 78, fig. 149 (verso); Furlan 1993, 265, fig. 59 (recto); Furlan 1998, 280, no. D45; Pordenone 2000, 132-33, no. 25; Jacoby 2014, 251.
Collection J. Pierpont Morgan : Drawings by the Old Masters Formed by C. Fairfax Murray. London : Privately printed, 1905-1912, IV, 70.