William Hogarth

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William Hogarth
1697-1764
Third Stage of Cruelty (Cruelty in Perfection)
1750
Red chalk, with graphite, on paper; incised with stylus and squared for transfer in graphite; verso rubbed with red chalk for transfer.
14 3/16 x 11 7/8 inches (360 x 302 mm)
Purchased by Pierpont Morgan (1837-1913) in 1909.
III, 32d
Notes: 

One of four drawings for the engraved series "Four Stages of Cruelty".
Nero's predilection for violence has now led him to a human victim. In the early hours of the morning, outside a moonlit churchyard, a group of farmers apprehend the wigless Nero for the slaughter of his pregnant lover, who lies with her throat, wrist, and finger slit. A trail of purloined jewelry and household effects hints that the young servant woman intended to run away with Nero after robbing her mistress. Nero's murderous act will lead him to the gallows, as predicted in the first scene of the series. The carefully drawn sheet has been squared in graphite to transfer the design to another surface. Pinpricks along the outer edges of the sheet must have served as a guide for the lines.
The highly detailed print of this scene, enriched with the insertion of text, reveals that Nero's murdered lover was carrying the Anglican Book of Common Prayer and John Reynolds's 1621 compilation God's Revenge Against Murder, a collection of stories about the power of divine justice over crime. Hogarth also added legible text to the letter she clutches: Dear Tommy / Do not fail to / meet me in the Church yard as / you ... / Ann Gill. -- Exhibition Label, from "Hogarth: Cruelty and Humor"
See also the records for the rest of the drawings in this series of four scenes (III,32b; III, 32c; III, 32d; III, 32e).

Inscription: 

Watermark: Pro Patria Vryheyt with double circle and rampant lion inside on platform; mark of B. Cramer (cf. Churchill 84).
Watermark: Countermark: Letters "GR" surmounted by crown in circle.

Provenance: 
Artist's studio, presumably until 1764, and then by descent to his widow, Jane (Thornhill) Hogarth (1709-1789?), London; Dr. Rev. Michael Lort (1724/25-1790), Oxford and London; his sale, Leigh and Sotheby, London, 2 June 1791, lot 69, for 84..-..-; London art market [?]; Dr. Jaspar Robert Joly (1819-1892), Clonbullogue, near Dublin, possibly after 1863; his sale, Sotheby's, London, 18-19 February 1892, in a lot containing 25 volumes with 158 drawings and 6,097 prints bought by Bernard Quaritch, London; Charles Fairfax Murray (1849-1919), London and Florence; from whom purchased through Galerie Alexandre Imbert, Rome, in 1909 by Pierpont Morgan (1837-1913), New York (no mark; see Lugt 1509); his son, J.P. Morgan, Jr. (1867-1943), New York.
Watermark: 
Associated names: 

Hogarth, Jane, 1711?-1789, former owner.
Lort, Michael, 1725-1790, former owner.
Joly, J. R. (Jasper Robert), former owner.
Murray, Charles Fairfax, 1849-1919, former owner.
Morgan, J. Pierpont (John Pierpont), 1837-1913, former owner.
Morgan, J. P. (John Pierpont), 1867-1943, former owner.

Bibliography: 

Collection J. Pierpont Morgan : Drawings by the Old Masters Formed by C. Fairfax Murray. London : Privately printed, 1905-1912, III, 32d.
Wiles, Stephanie. To Observe and Imagine : British Drawings, 1600-1900. New York : Pierpont Morgan Library, 1998, no. 21.

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