John Bidwell's blog

Comte Robert de Montesquiou-Fézensac was the arch-aesthete of the Decadent era. Titled, rich, perfectly groomed, and exquisitely attired, he turned himself into a work of art as precious as the poetry he composed and the bibelots he collected.

As if genius is not enough, a lyric poet has got to be in love. Pierre de Ronsard was still serving his literary apprenticeship in 1545 when he met Cassandre Salviati at a ball in the Château de Blois. Around fourteen-years-old at that time, she was the daughter of a Florentine banker who helped to finance the reign of Francis I. She married a local nobleman a year later, but that was not an obstacle to the conventions of courtly love. She was Ronsard’s muse, a source of inspiration like Beatrice was for Dante and Laura for Petrarch.

Harington’s translation of Orlando Furioso is one of the great masterworks of English literature. It made this sprawling epic poem easily accessible in court circles where there was a constant demand for Ariosto’s stories of sieges, battles, quests, enchantments, damsels in distress, and feats of chivalry. Harington dedicated it to Queen Elizabeth, who is said to have commanded him to perform the task of translating nearly forty thousand lines of Italian verse as a punishment for having shown one of the ribald episodes to the ladies of the court.

Willem van Branteghem, Pomarium mysticum tum novorum tum veterum fructuum, animae Christianae. Antwerp: Willem Vorsterman, 1535. Purchased on the Curt F. Bühler Fund, 2014.
 

Aelius Donatus. Ars minor. Mainz: Johann Schöffer, ca. 1517-1518. Purchased on the Henry S. Morgan Fund, 2010.

Andechs (Germany). Benedictine priory. Chronick dess hochberümbten Closters, vnd Gottshauses, heiligen Berg Andechs, S. Benedicten Ordens, Augspurger Bistthumbs, in Obern Bayrn gelegen. Munich: Johann Jäcklin, 1657. Purchased on the Henry S. Morgan Fund, 2007.

Bartolomeo Pinelli (1781-1835). Album of thirty-seven Italian genre scenes assembled by or for Eugène de Bourbon-Busset, consisting of hand-colored etchings, mostly by Bartolomeo Pinelli, but also by Gaetano Cottafavi and Filippo Ferrari. [Rome: n.p., ca. 1809-1838]. Purchased as the gift of the Visiting Committee of the Department of Printed Books and Bindings in honor of Charles E. Pierce, Jr., and on the Gordon N. Ray Fund, 2008.

Bible. Latin. Vulgate. 1555. Biblia sacra ex postremis doctorum omnium vigiliis ad Hebraicam veritatem & probatissimorum exemplarium fidem. Salamanca: Andrea de Portonariis, 1555. Purchased on the Henry S. Morgan Fund, 2011.

French & Latin. Horae ad usum Romanum. [Paris: Jean Du Pré or Chablis: Jean Le Rouge] for Antoine Vérard, 2 Sept. 1485. PML 129974; ChL1447C. Purchased as the gift of the B. H. Breslauer Foundation and on the B. H. Breslauer Foundation Fund, the Curt F. Bühler Fund, the Lathrop C. Harper Fund, and the Gordon N. Ray Fund, 2007.

Catholic Church. Breviary. Breuiarium romanum. Venice: Giovanni Varisco & Company, 1562. Purchased as the gift of Jamie K. Kamph and on the Harper Fund, 2011.