My Own Mag (Barnet, England: Jeff Nuttall / Homosap, Inc., -1966). 17 nos.
New at the Morgan
The Morgan has acquired thirteen letters written by the American writer J.D. Salinger (1919–2010) to his editor at The New Yorker in the 1940s and 50s, Gustavus “Gus” Lobrano (d. 1956). The letters are part of a larger acquisition of letters, manuscripts, and printed books related to Gus Lobrano and his daughter, Dorothy “Dotty” Lobrano Guth (1928–2016), who also worked at The New Yorker.
In January 2021, the Morgan acquired an exceptional group of twenty prints by Martin Puryear. Made between 2001 and 2014 at Paulson Bott Press, Berkeley, CA, they represent nearly all the prints Puryear made during the first fifteen years of the 21st century and include several of his most important works in this medium.
“I kind of draw like you are walking through the forest,” Condo explains. “You don’t really know where you are going. You just start from some point and randomly travel through the paper until you get to a point where you finally reach your destination.”
Ottavio Farnese (1598–1643). Quaestiones definitae ex triplici philosophia, rationali, naturali, morali, in Parmensi Academia publicè triduum disputatae. Parma: Anteo Viotti, 1613. Purchased on the L. C. Harper Fund, 2012.
Pierre Laujon (1727-1811). Les a propos de societé, ou, Chansons de M. L. Paris : Joseph-Gérard Barbou, 1776. 3 vols. Purchased on the Gordon N. Ray Fund, 2011.
In the spring of 2019 former Morgan trustee Jayne Wrightsman bequeathed to the museum an exceptional collection of books bound for the highest echelons of eighteenth-century French society. This donation forms the core of the exhibition Bound for Versailles: The Jayne Wrightsman Bookbindings Collection, on view through January 30, 2022.
(Italian, Codemondo near Reggio Emilia 1550–1578 Rome)
The Apparition of the Angel to St. Joseph, ca. 1576
Pen and brown ink and brown wash, over red chalk
15 x 11 1/8 inches (381 x 282 mm)
Inscribed at lower left, in pen and brown ink, Zuchero.
Purchased in honor of Charles E. Pierce, Jr.'s tenure as director by the Visiting Committee to the Department of Drawings and Prints through the generosity of Ildiko Butler, Diane A. Nixon, Andrea Woodner, Hamilton Robinson, Jr., Joan Taub Ades, Clement C. Moore II, Jayne Wrightsman, David M. Tobey, Eugene V. Thaw, George L.K. Frelinghuysen, Seymour and Helen Mae Askin, Catherine G. Curran, Melvin R. Seiden, Hubert and Mireille Goldschmidt, and Wheelock Whitney III; 2007.80
The most recent acquisition by the Morgan’s Department of Drawings and Prints is a Head of a Girl dating to around 1590 by Denys Calvaert, purchased at Christie’s old master drawing auction in late January 2020. Because we have no immediate plans to exhibit the drawing, a blog post seems a good way to talk about Calvaert, the Head of a Girl, and why the drawing is a welcome addition to the Morgan’s collection.
When I left New York for the Salon du Dessin in Paris in late March 2019, I did not expect to fall in love with a Flemish drawing. But somewhere between the opening reception at the grand Palais Brongniart—the historic stock exchange building in Paris—and the flight back to JFK a few days later, this large, colorful study by Antwerp-born Jacob Jordaens had cast its spell on me.