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Eighteenth- and nineteenth-century landscape artists often sketched outdoors in oil paint on paper to capture nature from direct observation. Yet as natural as these scenes look, the vantages were chosen or augmented to draw the viewer into the composition.

Surveying the finest Northern European drawings in the Morgan's collections, this exhibition featured over one hundred works spanning the Gothic through the Flemish Baroque periods.

The exhibition will include thirty-seven works that represent the two central elements of the Romantic conception of landscape: close observation of the natural world and the importance of the imagination.